I know there is likely some flux depending on conversations with the client, but I believe this approach works as long as we keep the general structure you’ve outlined.
Right now, I see it in three parts:
1. Introducing the characters — showing their Unlimited scenarios, giving a glimpse into their world, and capturing their opening lines.
2. The middle section — the lights die down on each setup, and we hear all the lines about what is actually limiting our kids directly to camera, pulling no punches.
3. The transition line — “But… Your support can…” the lights come back up, finishing on a high note with our penultimate shots in different scenarios, before ending on a portrait of all the kids together.
2. The middle section — the lights die down on each setup, and we hear all the lines about what is actually limiting our kids directly to camera, pulling no punches.
3. The transition line — “But… Your support can…” the lights come back up, finishing on a high note with our penultimate shots in different scenarios, before ending on a portrait of all the kids together.
Wherever we land on the script, I know it’s going to be fantastic.